The project was created as part of the international design challenge 36 Days of Type, which invites designers to reinterpret the alphabet through their own visual language. The focus was on exploring the relationship between typography, material and motion. Each letter became a small study in form, light and rhythm, allowing new perspectives on three-dimensional composition.
Every character was modeled and animated using procedural workflows to ensure consistency and flexibility. Material experiments and lighting setups defined the visual tone, ranging from tactile surfaces to abstract environments. Color and movement were kept minimal, directing attention to the structural qualities of each form. The project served as a platform to test new tools and refine aesthetic decisions.
A series of animated letterforms that blur the boundary between typography and sculpture. Design reduced to light, structure and motion — a visual study in rhythm and form.
